湯姆漢克斯夫婦在澳洲感染肺炎
汤姆·汉克斯和丽塔·威尔逊夫妇向媒体发布声明，称他们在澳洲拍摄新片时确诊感染新冠肺炎。
声明内容：
大家好。我和Rita来澳大利亚了。我们感到有点疲惫，就像得了感冒，还有一些身体疼痛。Rita有些反反复复的寒意，也有些轻微发烧。为了让一切步入正轨，这也是目前需要做的，我们已经做了冠状病毒的测试，结果呈阳性。
好吧。接下来该做什么？有一些必须遵守的医务流程，只要是公共卫生和安全要求，我们夫妇都会进行测试、观察和隔离。 除了抱着走一步看一步的态度，也没有什么更多能做的，不是吗？我们会及时同步新进展。照顾好你们自己！
（來源微博）
声明内容：
大家好。我和Rita来澳大利亚了。我们感到有点疲惫，就像得了感冒，还有一些身体疼痛。Rita有些反反复复的寒意，也有些轻微发烧。为了让一切步入正轨，这也是目前需要做的，我们已经做了冠状病毒的测试，结果呈阳性。
好吧。接下来该做什么？有一些必须遵守的医务流程，只要是公共卫生和安全要求，我们夫妇都会进行测试、观察和隔离。 除了抱着走一步看一步的态度，也没有什么更多能做的，不是吗？我们会及时同步新进展。照顾好你们自己！
（來源微博）
37 个评论
中国害惨了世界！！！！！！！！！！！！！！！！！！
哇靠，太誇張了吧。
希望汉克斯先生平安无事，我很喜欢他演的阿甘。
已经有粉蛆一瞬转进希望川普也得肺炎（因为肺炎不会在意你的财富和地位），硅脂人的想象力唯有在这一方面如此跃进
笑死人了，連外國大明星，外國政客都感染了
以近期湯姆漢克斯所拍的題材，他或者會在隔離期間寫關於瘟疫的電影劇本。
已经有粉蛆一瞬转进希望川普也得肺炎，硅脂人的想象力唯有在这一方面如此跃进
这就是国民的劣根性吗，爷爱了
该得的不得
不该得的得了
中共毫无疑问就是人类走向灭亡的罪魁祸首
不该得的得了
中共毫无疑问就是人类走向灭亡的罪魁祸首
看来真要全球人都感染一遍才结束，活着的有抗体也就不怕了！
川大爺上點心吧，要是他也染上，股市還不跌穿地心。。。。希望湯夫婦平安跨過這次，他也屬於年紀大的人，一定要康復！
已隐藏
并非有意传教，说个有意思的事情，供大家消遣。
佛教认为很多种疾病和灾厄，实际上是行病鬼带来的，其中行病鬼的头领叫行病鬼王，《地藏经》里面有描述。鬼王基本上还是比较讲理，护持正法的，如果福报很大，或者行为极为端正，一般不会受到严重的疾病侵扰。当然现实生活中“行为端正”而得到鬼神护佑的人估计屈指可数了，因为严格来说大多数人天天造恶业。
这些行病鬼呢，平时游走在街头巷尾，在行恶之人多的地方，能量比较大，在行善之人多的地方，能量比较小。如果是“行为端正”的人，行病鬼不会骚扰他。当然如上文所述，这种人现实生活中太少见了。行病鬼走过施法的地方，大家就容易得病，显现上面，武汉肺炎这种就属于极其强大的行病鬼，由于众生恶业非常猛烈，所以力量也特别强大，大多数普通人都遭不住。
所以说生死无常，遇到这种瘟疫，和洪水、地震、火山爆发一样属于大灾，老百姓基本上能活下来，显现上面基本上是靠运气的。不过如果某个地方长期人心险恶，政府乱来，经常做伤天害理的事情，按照佛教教理确实容易多灾多难。教理上面，现实世界也是人心的化现，人心很差的地方，自然环境啥的一般也比较糟糕，甚至最后变成一片荒漠，什么资源都没有，很难活下去。佛教国家很多都很穷，但游客还是敢去，有些国家穷，甚至风光不错，但大家还是不敢去。
因此能移民的还是移民，这不仅从一般的道理上面讲完全正确（毕竟你很难改变大环境），从佛法上面来说，中国这样的地方也确实容易遭受各种灾害，老百姓莫名其妙倒霉。
当然我的说法涉嫌宗教和封建迷信，请大家轻喷，上述内容也不是佛教的核心思想，理解成佛菩萨为了度化众生打的比方也可以。当然要是被折叠或者负赞我也认了。
佛教认为很多种疾病和灾厄，实际上是行病鬼带来的，其中行病鬼的头领叫行病鬼王，《地藏经》里面有描述。鬼王基本上还是比较讲理，护持正法的，如果福报很大，或者行为极为端正，一般不会受到严重的疾病侵扰。当然现实生活中“行为端正”而得到鬼神护佑的人估计屈指可数了，因为严格来说大多数人天天造恶业。
这些行病鬼呢，平时游走在街头巷尾，在行恶之人多的地方，能量比较大，在行善之人多的地方，能量比较小。如果是“行为端正”的人，行病鬼不会骚扰他。当然如上文所述，这种人现实生活中太少见了。行病鬼走过施法的地方，大家就容易得病，显现上面，武汉肺炎这种就属于极其强大的行病鬼，由于众生恶业非常猛烈，所以力量也特别强大，大多数普通人都遭不住。
所以说生死无常，遇到这种瘟疫，和洪水、地震、火山爆发一样属于大灾，老百姓基本上能活下来，显现上面基本上是靠运气的。不过如果某个地方长期人心险恶，政府乱来，经常做伤天害理的事情，按照佛教教理确实容易多灾多难。教理上面，现实世界也是人心的化现，人心很差的地方，自然环境啥的一般也比较糟糕，甚至最后变成一片荒漠，什么资源都没有，很难活下去。佛教国家很多都很穷，但游客还是敢去，有些国家穷，甚至风光不错，但大家还是不敢去。
因此能移民的还是移民，这不仅从一般的道理上面讲完全正确（毕竟你很难改变大环境），从佛法上面来说，中国这样的地方也确实容易遭受各种灾害，老百姓莫名其妙倒霉。
当然我的说法涉嫌宗教和封建迷信，请大家轻喷，上述内容也不是佛教的核心思想，理解成佛菩萨为了度化众生打的比方也可以。当然要是被折叠或者负赞我也认了。
并非有意传教，说个有意思的事情，供大家消遣。佛教认为很多种疾病和灾厄，实际上是行病鬼带来的，其中行病...
你是不是在暗喻我们武汉p4病毒所就是鬼屋，维尼熊就是鬼王，那么就能解释为什么现在不让放鞭炮了。
共产党一手炮制的中国病毒不仅要祸害中国人，还要祸害全世界！希望自由世界能吸取教训吧
汤姆汉克斯感染和NBA取消赛季对欧美社会是好事，他们一直拿这次新冠不当回事以为就是一次大流感，有名人被感染会让社会迅速警觉起来。被“明星感染”这种事打醒总好过被“停尸房爆满”打醒要好得多。
東京奧運我看也玄乎了，就算日本沒有大規模的爆發（i mean 每天好幾百，總數過萬的那種），可是世界上有100個國家都在爆發，幾個主要的大國都開始爆發了，試問誰還能去參加奧運啊....奧運搞不成，日本血賠了，這一切的一切，冤有頭債有主....武漢肺炎已經是一個黑天鵝，想不到引爆了另外一隻黑天鵝，就是全球經濟，真是禍不單行....後面還有排著隊要來的災難，這回看誰能頂到最後了，tg們粉紅們還真別嘲笑別人，迴力標說話之間就會狠狠的殺到你的頭上。
我倒是觉得，这些名人生病了，也让欧美那些傻白甜，赶紧提高警惕吧
不是说这个病死亡率多高，但是这么耗起来没完没了
现在最好的事情就是全世界消灭瘟疫，要是全世界越闹越大，倒霉的还是我们
不是说这个病死亡率多高，但是这么耗起来没完没了
现在最好的事情就是全世界消灭瘟疫，要是全世界越闹越大，倒霉的还是我们
當年挺過了奧馬哈海灘上納粹的MG42，空難的無人島求生，這次面對的是中國的肺炎
嗯，上帝保佑他們！...
貼一下他在今年年初獲得金球獎終生成就獎時的感人獲獎感言吧(不通英文者請無視... )：
Most people in this room, I would pay to see them get their cars washed so, to be up here, and can I just say, honestly, really, really, can I just, tell the truth now, can I just see a show of hands, how many people in this room have a clip package that includes the Love Boat? Anybody? Charlize? No! Well, you missed out. There you go, Kathy! And what do we have? "Love, exciting and new, climb aboard." I have a cold the size of Merv Griffin's Jeopardy royalties so forgive me, I've been drinking a lot of savagely orange drinks for the last 24 hours, and I'm a little jittery.
A man is blessed with a family sitting down front like that. A wife who is fantastic in every way, who has taught me what love is. Five kids who are braver and stronger and wiser than their old man is and a loving group of people who have put [up] with me being away months and months and months at a time. Of course, otherwise I wouldn't be standing here if they didn't have to put up with that. I can't tell you how much your love means to me. That's the wife and kids.
You're a dope if you don't steal from everybody you've ever worked with, and I have stolen from the likes of the people that only need one name, you know, you know, like Meryl, like Denzel, like Antonio, like Meg, like Julia, like Sally Field, even though that's two names, it's still one. But I have also been made better by watching the examples of some of the greatest actors that have ever walked the stage: Peter Scolari and Holland Taylor, a million years ago, Robin Wright, Barkhad Abdi, believe it or not, who was in his very first film, it was so very much in august, there was no doubt about it.
And Charlize, who actually is one of those one-word names. The reason I had to leave the room for five minutes was to go in and tell all the other producers this woman that I'm auditioning right now is going to be in this movie somehow, so we got to figure out how it's going to work. And she was.
I've never not been challenged or flummoxed or lost sleep because of the work that was asked of me by the directors that I've worked with, every single one of them, screenwriters I've worked with, every single one of them, and there's been Nora and Penny, Mari of late, Steven and Ron, Paul, Bob, the list goes on, Clint, the list goes on and on. And every one of those guys, at some point or another, came up to me in the course of a day and said, "Tomorrow, if you don't do your job really well, we don't have a movie."
And this is a thing that happens with actors at some point on a movie. A movie is made shot by shot, everybody knows that. Lina Wertmüller knows it, Marty Scorsese knows it, Jackie Chan knows that a movie is made shot by shot, and at that moment, what is required is everybody has to do their job to their perfection, they have to hit a mark, and they have to go there. Sometimes, the movie rests on the shoulders of the make up artists who put on Stellan Skarsgård's eyebrows. Sometimes, it's the focus puller that if this isn't sharp, you don't have it, and it shows up, and you have to do it all over again. But it's those moments as an actor where everybody I have ever worked with has helped me get to that place. Sometimes it's 3 a.m., and sometimes it's 11 at night, in which you just have to somehow put it all together, have faith in what the process is, and go there.
A thousand years ago, in 1977, when I was an intern at the Great Lakes Shakespeare Festival, my first professional job, we all got yelled at by Dan Sullivan, the director. We had partied a little bit too much the night before, we were showing up for rehearsals, and he screamed at us, well he did actually scream at us. He said, "Hey, look, you guys, you guys, you actors, you know what your job is? You know what your job is? You have got to show up on time, and you have to know the text, and you have to have a head full of ideas. Otherwise I can't do my job." That was the greatest lesson a young actor could possibly ever get. First of all, the head full of ideas. Bring anything, try anything. They might not use it. If it stinks, they won't use it. Am I right, Marty Scorsese? If it's not good—boy, let's see the outtakes from that movie, by the way.
Knowing the text, and it's not just your lines, it's the whole thing, it's the red dot, it's the theme of the movie. You've got to know it. You might not be right in what the opinion that you bring to it, but you've got to come at it with some direction. And as Charlize might know, and some of the other people who've worked with us through the Playtone galaxy of stars, showing up on time is one of the greatest liberating acts you can give yourself in a movie. That means those people with radios in the ears don't need to knock on your door and say, "They're ready for you." You're actually already ready, and you have the liberty and you have the freedom of being there early enough to settle down because when the time comes, you have to hit the marks, and you have to go there.
There is a saying in motion pictures, back when it was shot on film, that you could not move onto the next scene until the gate was good. The film went through the little—let me explain it to the kids at home—the film went through a shutter and had to go through the gate and sometimes a piece of film would fall off, a hair, a speck of dust would be there on the negative and the shot would be ruined because you couldn't save it in the lab. The gate had to be good before you could move on.
Cecil B. DeMille himself, up in that voice of God chair: "All right, that's wonderful, cut. Shut the gates." He'd say something like that, and they'd check the gate, and if the gate was good, then you moved on. Ladies and gentleman—it's the cold that is making this happen, I swear to God, I'm not nearly this emotional at home—well, thank you HFPA, thank you all here, thank you all for all your inspiration and all of your work and all of the struggle that you guys all go through in order to hit the marks and tell the truth. I have checked the gate. The gate is good.
貼一下他在今年年初獲得金球獎終生成就獎時的感人獲獎感言吧(不通英文者請無視... )：
Most people in this room, I would pay to see them get their cars washed so, to be up here, and can I just say, honestly, really, really, can I just, tell the truth now, can I just see a show of hands, how many people in this room have a clip package that includes the Love Boat? Anybody? Charlize? No! Well, you missed out. There you go, Kathy! And what do we have? "Love, exciting and new, climb aboard." I have a cold the size of Merv Griffin's Jeopardy royalties so forgive me, I've been drinking a lot of savagely orange drinks for the last 24 hours, and I'm a little jittery.
A man is blessed with a family sitting down front like that. A wife who is fantastic in every way, who has taught me what love is. Five kids who are braver and stronger and wiser than their old man is and a loving group of people who have put [up] with me being away months and months and months at a time. Of course, otherwise I wouldn't be standing here if they didn't have to put up with that. I can't tell you how much your love means to me. That's the wife and kids.
You're a dope if you don't steal from everybody you've ever worked with, and I have stolen from the likes of the people that only need one name, you know, you know, like Meryl, like Denzel, like Antonio, like Meg, like Julia, like Sally Field, even though that's two names, it's still one. But I have also been made better by watching the examples of some of the greatest actors that have ever walked the stage: Peter Scolari and Holland Taylor, a million years ago, Robin Wright, Barkhad Abdi, believe it or not, who was in his very first film, it was so very much in august, there was no doubt about it.
And Charlize, who actually is one of those one-word names. The reason I had to leave the room for five minutes was to go in and tell all the other producers this woman that I'm auditioning right now is going to be in this movie somehow, so we got to figure out how it's going to work. And she was.
I've never not been challenged or flummoxed or lost sleep because of the work that was asked of me by the directors that I've worked with, every single one of them, screenwriters I've worked with, every single one of them, and there's been Nora and Penny, Mari of late, Steven and Ron, Paul, Bob, the list goes on, Clint, the list goes on and on. And every one of those guys, at some point or another, came up to me in the course of a day and said, "Tomorrow, if you don't do your job really well, we don't have a movie."
And this is a thing that happens with actors at some point on a movie. A movie is made shot by shot, everybody knows that. Lina Wertmüller knows it, Marty Scorsese knows it, Jackie Chan knows that a movie is made shot by shot, and at that moment, what is required is everybody has to do their job to their perfection, they have to hit a mark, and they have to go there. Sometimes, the movie rests on the shoulders of the make up artists who put on Stellan Skarsgård's eyebrows. Sometimes, it's the focus puller that if this isn't sharp, you don't have it, and it shows up, and you have to do it all over again. But it's those moments as an actor where everybody I have ever worked with has helped me get to that place. Sometimes it's 3 a.m., and sometimes it's 11 at night, in which you just have to somehow put it all together, have faith in what the process is, and go there.
A thousand years ago, in 1977, when I was an intern at the Great Lakes Shakespeare Festival, my first professional job, we all got yelled at by Dan Sullivan, the director. We had partied a little bit too much the night before, we were showing up for rehearsals, and he screamed at us, well he did actually scream at us. He said, "Hey, look, you guys, you guys, you actors, you know what your job is? You know what your job is? You have got to show up on time, and you have to know the text, and you have to have a head full of ideas. Otherwise I can't do my job." That was the greatest lesson a young actor could possibly ever get. First of all, the head full of ideas. Bring anything, try anything. They might not use it. If it stinks, they won't use it. Am I right, Marty Scorsese? If it's not good—boy, let's see the outtakes from that movie, by the way.
Knowing the text, and it's not just your lines, it's the whole thing, it's the red dot, it's the theme of the movie. You've got to know it. You might not be right in what the opinion that you bring to it, but you've got to come at it with some direction. And as Charlize might know, and some of the other people who've worked with us through the Playtone galaxy of stars, showing up on time is one of the greatest liberating acts you can give yourself in a movie. That means those people with radios in the ears don't need to knock on your door and say, "They're ready for you." You're actually already ready, and you have the liberty and you have the freedom of being there early enough to settle down because when the time comes, you have to hit the marks, and you have to go there.
There is a saying in motion pictures, back when it was shot on film, that you could not move onto the next scene until the gate was good. The film went through the little—let me explain it to the kids at home—the film went through a shutter and had to go through the gate and sometimes a piece of film would fall off, a hair, a speck of dust would be there on the negative and the shot would be ruined because you couldn't save it in the lab. The gate had to be good before you could move on.
Cecil B. DeMille himself, up in that voice of God chair: "All right, that's wonderful, cut. Shut the gates." He'd say something like that, and they'd check the gate, and if the gate was good, then you moved on. Ladies and gentleman—it's the cold that is making this happen, I swear to God, I'm not nearly this emotional at home—well, thank you HFPA, thank you all here, thank you all for all your inspiration and all of your work and all of the struggle that you guys all go through in order to hit the marks and tell the truth. I have checked the gate. The gate is good.
阿甘的下一块巧克力是什么味道？
大家自求多福。共勉。
大家自求多福。共勉。
祈祷阿甘和夫人能够平安。
不过他俩居然是在澳洲拍戏的时候染上的，看来气温真的影响不了疫情？
不过他俩居然是在澳洲拍戏的时候染上的，看来气温真的影响不了疫情？
希望不要轉重症，60歲以上如果還有其他慢性疾病轉重症情況都不大樂觀。
現在推特下一片哀鴻遍野⋯
現在推特下一片哀鴻遍野⋯
？？？Madonna和Gaga招你惹你了？？？除了这次事件的始作俑者，没有一个人活该被感染
收回我的话，说起来以前超级喜欢并且敬佩她们，但是她们后面太过了，其实说白了也就是吃着人血馒头的利己者罢了。gaga还好点
老外在某些方面也很迷信，戴口罩表示自己是病秧子这种逻辑都能想出来
怪不得死亡人数最多的大流行都发生在欧洲
怪不得死亡人数最多的大流行都发生在欧洲
美股再次熔断，估计就是被阿甘中招吓坏了
我那天忽然想起了由Toynbee提出，蘿莉控孫大砲發揚光大的名言
二十一世紀是中國的世紀
想想愛滋病現在都能控制了
照這個病毒毀滅世界的速度，
看來Toynbee是被歷史學家耽誤的預言家
二十一世紀是中國的世紀
想想愛滋病現在都能控制了
照這個病毒毀滅世界的速度，
看來Toynbee是被歷史學家耽誤的預言家
